Large Gandharan Stucco Head of Buddha

£ 450.00

A finely modelled stucco statuette fragment from Gandhara, most likely depicting the head of Buddha Shakyamuni (Śākyamuni), the historical Buddha who reached enlightenment and on whose teachings Buddhism was based. Buddha’s oval face displays idealised features, with almond-shaped and heavy-lidded eyes, arched brows, a high nose-bridge, and a cupids bow mouth. He is characterised by a calm expression and an enigmatic smile, reinforcing his majesty and quiet authority. His hair rises in crescent-shaped ridges, and is surmounted by a top-knot hairstyle. This hairstyle is important as it symbolises Ushnisha as the protrusion on top of the head is said to manifest as a result of increased wisdom gained during enlightenment. Further details include an incised circular line on his neck, and some remnants of what may have been dark pigment on the surface. The statuette was likely once part of a large-scale narrative panel modelled in high relief, as evidenced by the uneven texture at the back of the head.

Height given below includes both the head and stand.

Date: Circa 2nd - 4th century AD
Provenance: From the collection of a North West London gentleman, 1990s-2000s.
Condition: Fair condition. The facial features are clear. There is damage to the tip of the nose and ears, particularly his left ear, as well as dark marks on the surface. The neck is cut unevenly and chipped. The back of the head is rough and uneven in texture, and an adhesive is visible connecting the head to the stand. The fragment is supplied with a custom-made stand.
SKU: NES-199 Categories: , Tags: , ,

Gandhara was an ancient region, once geographically located in the Near East. The production of art within the region, usually dated between the 2nd and 5th century AD, included a wide range of Buddhist sculptures with a strong influence from Hellenistic aesthetic styles. This influence can be attributed to the Greek presence within the region, conquered by Alexander the Great in 327 BC, and subsequently controlled by his generals after his death. This region therefore became part of the Indo-Greek kingdom, with a unique artistic Greco-Buddhist style, displaying a blend of various cultures, including Hellenistic, Indian, Parthian, and later Roman. The Classical influence is particularly evident in the enhanced realism of the statues, including wavy hair and a crisp, planar intersection of the forehead and eyes. Gandharan artistic production of this period is almost exclusively related to Buddhism, and features depictions of stone Buddhas and Bodhisattvas carved in high relief, usually attached to the walls of religious and domestic shrines. These images would once have been coated with a fine stucco plaster and painted, in order to give a more colourful appearance. Stucco itself, skilfully modelled around a mud core, was also used as an alternative to stone.

To discover more about Gandharan Art, please visit our relevant blog post: Gandharan Art: A Fusion of Hellenistic and Buddhist Styles.

Weight 593.7 g
Dimensions L 7.5 x W 8.3 x H 18.5 cm
Gandharan Ideology

Buddha

Material

Stucco

Region

East Asia (Far East)

Reference: For a similar item,The Metropolitan Museum, item 31.106.7

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