The Han Dynasty was the second imperial dynasty of China (206 BC–220 AD), and its art is notable for aiming to give form to everyday people and objects. It was a period of significant economic growth, and this facilitated discovery and innovation: technical possibilities in the arts increased as a result, enabling artists to push boundaries.
In Ancient China, terracotta unglazed and low-fired glazed statuettes of animals and human figures, known in Chinese as mingqi, would have been placed in the deceased’s tomb to ensure companionship and service in the afterlife. Mingqi were usually modelled as an intimation of either common objects that once played a vital role in Han Dynasty domestic life, or as zoomorphic and anthropomorphic figures that were closely related to the deceased when they were alive. They would have also been seen to attend the deceased in the afterlife. Birds such as geese and chickens, represented some of the most common domesticated animals in ancient China, and served as a food supply to the deceased in the afterlife.
