Ancient Greek Apulian Terracotta Krater

£ 3,500.00

A magnificent, ancient Greek, terracotta bell krater from Apulia, depicted the god Eros. The vessel is executed in black slip with a decorative frieze of red figures and additional details emphasized in white pigment. The vessel presents a pedestal base, which leads to a bell-shaped body. Applied handles are situated at the sides and the body has a broad everted rim. Side A depicts a nude male figure, the Greek god Eros, shown sitting and facing right, with large, unfurled wings at his back. In his right hand he holds a large bunch of grapes. Beneath his seated form, the rocks upon which he sits are draped with the folds of his chlamys. Additional decorative details have been added in, what was originally white pigment, to his arms, neck and head. He is bejewelled with bracelets, a necklace and laurel wreath. His wings are beautifully detailed; with three registers of white feathers, decorated with delicate dot motifs. Around the seated figure of Eros are two floral elements, acting as filler ornaments. A fanned palmette arrangement sits beneath the handles, again adding a further decorative element. A continuous laurel wreath features above each scene, sitting beneath the everted rim. Side B is less decorative in nature and features a male youth in the centre, known as an ephebe. He wears a himation around him, sandals on his feet and a wreath tied at the front upon his head. Decorative floral filler elements also surround him, complementing side A.

Date: Circa 4th century BC
Provenance: Ex KK collection, North London gentleman. Previously from the Parthenon Gallery
Condition: Very fine. Some loss of colouring to the glaze but pigment and details are still very clear.

A krater was a large vessel, of Greek origin, used in antiquity to water down wine. This was not done by virtue of frugal hosting techniques, but in fact Greek wine, in its undiluted form, was incredibly strong. It would normally be mixed with water at a ratio of one part wine to five or six parts water – consequently, a large vessel was needed for this purpose. The repertoire that decorated such vessels were slightly formulaic in nature, referencing certain themes. Eros was a popular depiction, usually depicted as a naked, winged youth. He could appear alone or accompanied by a female figure, or with a multitude of figures in a mythical scene. Within the latter context he was not usually the focal point but acted as a smaller, secondary figure to other deities. Such vessels would also be associated to other gods through the associated attributes or emblems also depicted. For example it was common to reference Dionysus through the use of vine imagery, depictions of wine vessels or grape motifs. Other vases may have elements linked to Aphrodite or Orpheus. As is seen here, Eros holds in his hand a bunch of grapes, together with the circling wreath, this provides a Dionysian theme to the vessel. Whilst Eros in this role was certainly more ‘female’, both sexes were buried with such vessels.

To discover more on Magna Graecian red-figure pottery, please read our blog: Greeks in South Italy: Apulian Red-Figure Pottery

Weight 931.5 g
Dimensions W 21.5 x H 20 cm
Greek Mythology

Eros

Pottery

Terracotta

Region

Southern Europe

Reference: For a winged Eros with grape elements: The British Museum, London, item 1978,0414.47 For a cloaked youth: The British Museum, London, item 1856,1226.189

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